A Sunday in July by Ilene Hertz

 

I’m standing in my kitchen on a summer morning in July, opening a box of linguini.  My son Joshua comes in, sees that I’m about to cook some pasta, and asks if I know what al dente means.  “Sure, it means a little undercooked”.  I wonder if he thinks I don’t know how to cook pasta.  But that’s not what he’s getting at.  “Yes”, he continues, “it means a little undercooked, but do you know the derivation of the phrase?”  Now he has my attention.  “No, enlighten me” I say with a slight smile.  “It means to the tooth, like dentist,” he says, pleased that he just taught me something new.  We both smile widely and I slide the pasta into the boiling water.  Joshua offers to take over the cooking, and since I have other things to do I gladly step aside. 

 

Right then my phone beeps.  It’s a text from my daughter Lindsay. “On our way” the text reads.  She has just left the cool, foggy air of San Francisco for the one hour ride south to my home in San Jose where it’s warm and sunny. She, her husband Zach, and my two-year old grandson Caleb are coming for the day. 

 

Soon I hear the front door swing open and Lindsay walks in.  She removes her shoes and nonchalantly sets her overstuffed backpack on the floor. Zach comes in behind her and hands me a copy of the New York Times, a thoughtful gesture.  There are hugs all around. “Hey buddy”, Joshua says affectionately to Caleb, who is already in the kitchen, tugging at the curved handles of the French doors that lead to the back yard.  Lindsay scoots down to meet him at eye level, and gently reminds him that if he wants to go outside, he needs sunscreen and a hat. She rummages through her backpack and in no time its contents are strewn around my kitchen floor.  The lovely chaos has begun.

 

Once Caleb is lathered up with sunscreen I reach for his little hand and together the two of us walk outside.  Soon Caleb lets go of my hand and steps carefully on the curved stone path that leads through the garden.  There is a lot to take in, including several groupings of wildflowers, bunches of tall wispy grasses by the base of an old evergreen tree, and an herb garden with an abundance of spearmint.  The crown jewels of the garden are my brilliant California poppy flowers standing tall, upstaging the other flowers by their glistening petals that seem to sparkle in the sunlight.  As we pass by the poppies I mention to Caleb that they are the color orange.  I glance over at the black wrought-iron bench at the far end of the garden and suggest that we sit there.  But Caleb is not interested in sitting on the bench nor does he seem to care about the color orange.

 

Instead, he wants to re-create a scenario he remembers from his previous visit here.

 

A few Sundays ago I had to shoo away a small swarm of bees that had been attracted to some food left on the porch.  Unlike then, on this day there are no bees, but Caleb pretends there are, and he imitates me by flailing his arms every which way, shouting “GO away bees, GO home”, with a hearty emphasis on the word GO.  He repeats the scene many times, and he thinks it is hilarious, as evidenced by his belly laughs that are so undeniably authentic I can see his little tummy shake.  He wants me to join in the fun so I leap into his make-believe world and together we fend off the flying insects that exist only in his imagination.  “This is better than learning about the color orange” I think, and in that  moment I realize we are developing a relationship.  We are connecting through a shared experience. We are experiencing life together.  Me, my two-year old grandson, and some imaginary bees.

 

When he’s had his fill of the theatrics we continue strolling around and Caleb scoots down to pick up a small round seed pod from the ground, one of many that has dropped from the tall evergreen tree that looms above us.  He gathers several of the pods and puts them in a pile, then inspects them, one at a time, rolling each one deftly between his thumb and his index finger. He divides the pile in two: those with stems and those without.  I am curious about his sorting decision but I don’t want to break his momentum so I say nothing.  As I watch Caleb explore the pods I realize that I had overlooked these curious elements of nature that, since last fall, have peppered the ground.  I make a mental note to research their botanical origins when I’m back inside.  

 

I continue to watch Caleb explore the yard and I imagine that this outdoor space must be an enchanting wonderland to him, one that whispers “go ahead, touch the ground, smell the flowers, notice the insects, listen to the birds”.  Almost on cue a bird begins to sing and Caleb looks at me, and taps his ear, signaling that he hears the melodic sound of this little creature vying for the attention of its mate.  Nature.  This is an enchanting wonderland for me too.

 

It’s time to eat  and we make our way back to the house.  Everyone takes a seat at the large round table for a meal of pasta, watermelon, and brownies.  Like Caleb roaming through the garden, our adult conversation meanders through a variety of topics that includes how a pumpkin grows, and a subject that is on everyone’s mind, the epidemiology of the Covid pandemic.  Lindsay and I have a side conversation about Emergent Complexity, an engineering term which she excitedly explains in great detail by drawing small squares on the back of my grocery list.  

 

The afternoon has flown by, and soon Lindsay and Zach are packing up to go home.  I walk them out to the car and wave goodbye. Caleb, buckled securely into his car seat, leans forward and blows me a kiss, something he just learned how to do.   

 

It is still light out.   I walk in to the house, head straight for the kitchen, and open the French doors to my garden, much like Caleb did earlier in the day.  I sit on the wrought iron bench, my front row seat to the natural world.  I think about the similarities between my garden and my family, both possessing a rhythm, a cadence, a sense of balance.  

 

My heart is full. 

 

 

 

 

July 2020

San Jose, California

 

The Boxes by Ilene Hertz

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The boxes arrived yesterday.  Fourteen of them, delivered by my trusted, friendly, UPS delivery man.   “Yes, these are all for me”, I told him.  “Just set them down wherever you can find room”.  I sighed.  The boxes occupied a good deal of my living room and I wondered, once again, what I had gotten myself into.  My Mom Sandy, moved into my home last week.  Sandy loves California, where the weather is warm and her grandchildren are close by.   She asked if she could live here.  How could I say no? 

Sandy's memory is failing.  She asks the same questions repeatedly, sometimes within a one-minute span.  My answers fall away, unabsorbed by her plaque-coated brain.  Despite the memory lapses she is still astute, vibrant, and full of laughter.  She is watching this year’s presidential election closely, knowledgeable of its facts and nuances.   She continues to work on her beloved NYT crossword puzzle, delighting in figuring out “the long ones”.   

The boxes.  Sitting in my home, occupying my once orderly living room, the boxes are piled up, a reminder that perhaps I have taken on too much.  Sandy’s condition will worsen.  Will I be able to handle this: the failing memory, the repetitive questions, the extra grocery shopping, trips to the hairdresser and manicurist, appointments with her doctors?  The constant errands: fixing the zipper on her favorite pocketbook, tailoring the pants that are too big because she has lost so much weight, trips to the bank, shopping at my least favorite grocery store because they have her favorite canned peas.  How will I fit this into my already stretched schedule? 

After all, I have my own life: a full time job, a household to manage, a garden, my own health to tend to, my significant other, Lindsay’s upcoming wedding, my love for nature that pulls me towards marshland birds and gorgeous landscapes, and my passion for photography that engrosses me in a satisfying meditative state for hours on end.   And there’s more: how will I continue my photography workshops, spend long weekends at Point Reyes, have dinner and wine with friends, play mah jongg, lounge around on a lazy Sunday morning? How on earth will I manage all of this with Sandy here?  

The boxes.  We start unpacking.  Sandy lights up when she sees her personal belongings, the things that matter to her. Her framed pictures from Cape May where she vacationed with Sy, my father and her husband of 42 years.  Everything matters. A nail file, a soap dish, a plastic hamper.  My great grandfather’s naturalization papers. To her, they all have equal meaning.   They are all familiar. They all have a place in a life that is slipping away. She looks at each item carefully as she struggles to recall how they fit into her life now, in California, where she is starting anew at age 82.  She is generous.  She asks, “Do you need this white shoe polish?”  “Um, no, I don’t think so.”  “Does Charles need this apple corer?”  “No, he uses a knife to cut his apples” but of course that is unspoken and he graciously accepts the gift.

The boxes.  We unpack.  Things are strewn about my normally well-kept home.  My dining room table is no longer visible, with every inch occupied by the former contents of my cottage, the space that once served as my guest room and overflow storage.  The cottage sits empty now, ready for Sandy’s belongings.   Where will I put all of my stuff, I wonder?  The stuff that I no longer need but can’t bear to part with. My own memories. The kids’ childhood art projects, boxes of old photographs, my college books.

I want to have the kids over for a family dinner but I have no room for anything.  I don’t have time to buy the brisket, let alone cook it.  Oh no.

The boxes.  We unpack some more.  Sandy starts to line her shelves with the things she wants to see when she wakes up in the morning.   A wooden music box she received as a gift from Joshua.  A picture of the family.  Her calendar.  Her favorite books.  Her iron. 

She leaves the room momentarily and that’s when my tears come.  I am overwhelmed.  Not by the enormity of caring for her, but by my own vulnerability. 

This is sacred

It is about the end of a life.  Not my life, her life.    Can I make her feel loved?  Can I make her feel secure?  Can I provide her with the one thing that her brain craves more than anything – familiarity?   In her ever-changing world the things she clings to are the things that give her the most comfort.   Her towels, her blue sponges, her glass jars for leftovers. And ME.  She knows what is happening to her and she is afraid of her future.  She clings to me.

I no longer worry about whether I will ‘have a life’ now that Sandy is here.  I DO have a life.  THIS is my life.  I am on this journey with her.  She is clinging to me during this scary and confusing time for her. And I am clinging to her.

 

 

 

 

Ilene Hertz

September 17, 2016

 

A Single String by Ilene Hertz

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A few months ago my son announced, rather casually, that he planned to trade one of his oldest guitars for a piece of coveted recording equipment. I was crushed by his announcement, as this particular guitar had sentimental value to me. I was dismayed that he would want to part with an instrument that had brought such meaningful music into our home. I quickly realized that my emotional attachment to this instrument was MY issue, not his, and tried to accept that the guitar was moving on, much as he had done when he flew the coop. Sensing my attachment, he gave me some time to get used to the idea, although he was clear that the guitar was going. We bantered back and forth about “first right of refusal” and other such nonsense I conjured up to appease my sense of loss. We agreed that a good way for me to deal with my “separation anxiety” would be for me to photograph the guitar.

A few days later he left for a music festival with his band mates, taking with him a different guitar, and leaving behind the guitar in question. Two hundred images later, I had immortalized this very special Gibson in my digital library. When he returned, I proudly showed him the images and asked which was his favorite.   Without hesitation, he chose the extreme close up shot shown here.

It wasn’t the image I expected him to choose, nor was it my favorite.   Perhaps I thought he would favor a classic upright pose, or a shot of the neck with its worn knobs, or at the very least a shot of the instrument’s distinctive curves, something that would elicit an enthusiastic “hey Mom, please print this for me so I can hang it up as a reminder of this awesome guitar!” But he said none of that. And then I remembered, “Oh right, he wants to trade this thing away”. It’s ME who doesn’t want to part with it.

I looked again at the photo he chose. A single string. And then it hit me. The photograph that got his attention wasn’t about the guitar. It was about the MUSIC. And in that detail, in that single string, the memories of the music he played for so many years on that special guitar came flooding back. The guitar moved on. The music stayed.  I think I’ll frame this one.